top of page
BIANCA STRAMACCIA
I’ve always seen art as a powerful form of resistance—capable of raising questions and generating awareness around social, political, and cultural issues. Through a Visual Storytelling course, I became interested in curatorial practice and the construction of meaningful visual narratives. While pursuing curatorship, I never put the camera down. I’m particularly drawn to urban spaces where art meets the street. This led to Mikro, a project portraying an artist who is a tattooist by day and a street artist by
night—telling stories of expression,
bottom of page





