I approached photography as a natural extension of listening.
My background in psychotherapy trained me to notice nuances, silences, and subtle gestures. Photography became a way to hold onto sensations without translating them into words.
I work with both analog and digital photography—two different ways of relating to time. Analog embraces slowness and imperfection; digital allows me to move freely within unfolding moments. For me, photographing means being present and quietly saying: “Look how delicate this moment is—and yet it exists.”


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